In my art I employ different media and disciplines in the aim of introducing a discussion surrounding the values of photography and reflecting on its nature. Consequently, I find that I oftentimes choose to put down the camera in order to strengthen my familiarity with it, and step away from the photograph in order to better look at it. My works touch and generate discussions in different disciplines and delve into subjects that preoccupy me: architecture and its components, as well as the notion of "home", have a predominant presence in my works, at times in its mental and emotional connotations, and other times through the examination of its graphic boundaries, its manifestation in a new space.
In a research project (Untitled) I conducted over a period of more than five years, I photographed houses throughout Israel, which I then digitally manipulated by removing and obscuring basic markers in them, such openings and windows. The photographed details were designed, processed, and refined until they looked partially like pseudo-architectural three-dimensional digital models, despite having a source anchored in reality. The structures underwent transformation and from the principle of "home", became monuments with questionable content and functional quality. Throughout my process I seek to explore the basic, familiar principles of photography – its ability to preserve, to mediate, and to create – but more importantly is looking at how these principles affect our perceptions, of how elements may be represented: studying the object which "has been there" through its representation, looking at a copy instead of the original, watching a performance instead of living the experience. Nowadays, to my feel, we have no need for photography that follows reality, quite the contrary – more often we strive to match reality to the photographic image, which gained the status of an ideal.
The Interactions Series, alongside withProposals for Disorder Series are ongoing projects, which started already in 2013. In these series, I adopted a slightly different approach, and now, rather than taking away and eliminating details from existing models, I construct and compose them in my studio.these structures are some kind of gestures to the world I surrounded by: the street, the city, the view outside my window. I employ various materials: wood, MDF, plaster, Styrofoam, cardboard, and paper, painting each "set" in a solid color, which is also manifested in the printing and framing process. By this actions I return to art’s basic characteristics: perspective, light and shade, exam the relationship between two-dimensionality and three- dimensionality, and encounters between materials, colours and textures. I wish to explore of course principles which are prevalent in photography – creating a replica in relation to the original, visual deceptions and disruption of space – but also am fascinated by how we can, briefly, simply, almost just ”forget” about the photograph.The issues I'm focusing on reflect my need to explore the medium of photography as it relates to itself, to the social order, and to other media, whether the photographs are about architectural structures, plates, or flowers; I have employed these as tools in my reflections on photography.